Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

31 May 2014

300+ years of Plantagenet England with Sharon Kay Penman

The Plantagenets were the longest reigning dynasty in English history, beginning with Henry II in 1154 and ending with Richard III in 1485. Just about anyone who has a passing familiarity with English history and culture is familiar with several of their names i.e. Richard the Lionheart, King John (although most people are more familiar with him as "Evil Prince John"), Edward I "Longshanks" (thank you Braveheart), and the often maligned "Crookback Dick" a.k.a. Richard III (a victim of Tudor propaganda, 'cause history is written by the victors, right?). And oh so many more in between.

Ok, so they weren't all called Plantagenets by their contemporaries... the first three Plantagenet kings were called the Angevins (as in from the house of Anjou -they were the Dukes of Anjou, Normandy and Aquitaine in France, and they were really more French than English), and towards the end it was a dispute (the "War of the Roses" or "Cousins' War") between the rival Plantagenet houses of Lancaster (red rose) and York (white rose), but they were all (Henri II, Richard I, John I, Henry III, Edward I, Edward II, Edward III, Richard II, Henry IV, Henry V, Henry VI, Edward IV, Edward V and Richard III) direct descendants of Geoffroi le Bel, Duc d'Anjou, who -according to legend- used to wear a broom flower on his hat thus earning the soubriquet Plantagenet (from the Latin Planta genista). Oh, and according to legend his family was either descended from Lucifer or from a river goddess Mélusine (or both!), which was supposed to explain their nasty explosive tempers... :p

Sharon Kay Penman first delved into the lives of this epically dysfunctional family with the last of its kings, Richard III, in her first novel The Sunne in Splendour way back in 1982 (yes I'm just discovering her now, well last summer technically, better late than never!). As the story goes, the only copy of her original manuscript was stolen from her car and she had to start all over again! 

8 Oct 2013

Literary Guest Post on "The Devil's Brood"!


I have a couple of posts in the works for here and the other blogs... but my photo editing and writing have gotten a bit sidetracked lately by my need to get to bed early and READ! :p I've been sucked into the world of Sharon Kay Penman and her fantastic novels about medieval England and Wales (and parts of France when they were ruled by Norman lords). 

I've been taking notes for a more complete post on her books once I've finished with them, but I just wanted to share this with you: I was invited to write a review of one of them, The Devil's Brood, as a guest post on a blog centred on Henry the Young King (son of Henry II and Aliénor of Aquitaine, crowned King during his father's lifetime but he died before his father so he never reigned). Yay me! :o)

The Devil's Brood covers the period when Henry and Aliénor's sons are all grown up and causing serious problems for their father and each other (rebellion!), and it's the final book in Penman's Angevin trilogy (When Christ and His Saints Slept, Time and Chance, The Devil's Brood).

So here's the link to my review. I hope you enjoy it! And I definitely recommend Sharon's books! Just be wary of reading them when you go to bed... the result is many sleepless nights! :p

30 Jan 2013

Page vs Screen: North and South by Elizabeth Gaskell and the BBC


Ok, first of all this is NOT about the 1980s Civil War novel North and South brought to life on the small screen with Patrick Swayze as the lead. This North and South is over a century older! Written in 1855 by British author Elizabeth Gaskell (and originally published by Dickens in a weekly periodical), it's a social novel that showcases the relations between workers and their industrial masters in the fictional town of Milton in northern England (apparently inspired by Manchester where the author lived). These tense relations are seen through the eyes of the Hale family who have had to move there from Helstone in rural southern England after the father, a pastor, decides he must leave the Church of England as a matter of conscience. Following the advice of Mr Bell, a friend from his Oxford days, he moves to Milton with his wife and daughter and takes up teaching private students. It is quite a clash for the family, nowadays we'd call it culture shock. The peaceful, idyllic rural south has nothing in common with the grey, noisy, dirty northern city... even the people and their attitudes are quite different. Margaret makes friends with some of the workers and clashes with Mr John Thornton, master of Malborough Mills, who is also one of her father's students. Theirs is a clash worthy of Darcy and Elizabeth Bennett, but in this case they are both afflicted with both pride and prejudice and must overcome it before the story can come to a happy ending... ;o)

It's a story that fits well into the Industrial Revolution, a story of strife between classes (workers and masters, and the early unions and first strikes "The Union is a great power, the Union is our only power"). It does a good job of presenting the case both of the workers and the masters (dealing with the cheaper competition from America so they must lower their costs to remain competitive). As Mr Hale puts it:  "I meet many a working man. They have some dreadful tales and speak from the heart and have arguments for the strike which appear to me to be entirely logical. (...) But then our friend Thornton (...) he answers my questions and puts the other side so eloquently... I truly don't know what to think!" It also shows the difference in mentality between people from the southern rural counties and London society and the northern industrial cities.

Like most 19th century novels there are plentiful descriptions of places, people, background, society etc., and not that much dialogue. Much of that necessary information is given to us in the TV series either from the characters themselves during conversations, or in the form of letters between Margaret and her cousin Edith (whose wedding is the starting point of the story). Margaret's first letter to Edith serves as an introduction to what life is like in Milton, her father's teaching and students, it can sometimes be amusing when the difference between the "cheerful" tone of the letter is in contrast with the darker reality of what's happening on screen! We get more "exposition" during a dinner among the various "masters" and Mr Hale which illustrates Thornton's influence among his equals, and discussions of the situation of the workers and working conditions in the cotton mills.

Although we get some of Margaret's inner thoughts via those letters (and a few conversations), we're missing most of Thornton's thoughts on Margaret, which in the novel illustrate how he admires her from the start (despite an inauspicious beginning in which he finds her "haughty") and how his feelings develop, and also his sense of inferiority (due to a lack of education, his status as he's in trade, not a "gentleman") and being unworthy of her. But Richard Armitage does an excellent job conveying his fascination with her and evolving feelings with the tone of his voice and his looks and glances and his facial expressions. The gorgeous soundtrack also helps... But because of this we miss out on why a key moment (Leonards' death and Margaret's lies to a police officer) disturbs Thornton so much. In the book it's clear he believes so deeply in her honourable and truthful nature that he believes she lied to cover up for a gentleman (with whom he saw her) who is a bad influence on her, so the belief hat she is being led astray adds to his jealousy.


Ok, starting here I'm going to go into a more detailed comparison of book and series... so if you want to avoid spoilers you should stop reading! Instead go download the book for free from Project Gutenberg, read it, then watch the series, and come back and tell me what you think! ;o)